Just fabric and thread that's all I need ...and pins ...and scissors ...and my Pfaff ...and ...time ...and patterns ...and chalk...


Finally, I have finished this dress. If you guys are like me, you are sick of looking at this dress. Really, I lost interest in it last month and it was a chore to finish. There were some unexpected challenges with this project and I am not as happy with the results as I had hoped. Still, I consider it wearable, and I may even sew the pattern again, but not in the near future. I am happy to cross this off my list and move on to the next challenge.
I finished all the seam allowances yesterday. I used the pink rayon seam binding shown above. It is called Hug Snug. I broke in my handy seam binder foot for the job. This little contraption folds the binding around the seam allowance edge and holds all three layers in place to be stitched with a straight stitch. I bought the foot for my Husqvarna Viking D1 but I never used it. Now I have a Pfaff Creative Vision. I had invested a small fortune in machine feet for the D1 and I was really bummed that they do not fit on the Pfaff. Not willing to part with my accessory feet without a fight, I bought a replacement ankle for the D1 and tried it on my Pfaff. It fit. Schweet! Then I tried snapping on a foot and taking a few stitches. I checked that the needle alignment was compatible and that the feed dogs were also aligned. Everything looked great, so I broke out the bias binder foot and gave it a try. I have to say it was not as easy as it looks at first, but I got the hang of it after a few runs.
I removed the temporary zipper and closed up the center back seam. I inserted an invisible zipper in the left side seam after fusing interfacing along the left side seam allowances. I attached the collar and tried the dress on. Here is how it looks with the collar.
I know I said I was going to line the dress if it turned out I need to wear something underneath it, but I am just dreading that whole process and not loving the dress enough to want to put that much effort into it. So, I cut the one piece facing. I stay stitched the neck and armsyce seam allowances a mere needle's with away from the seamline. Then I finished the edges with Hug Snug. I attached the facing at the neck edge, clipped, understitched, and pressed the seam. It was looking great. Then I clipped the armsyce seam allowances and pressed under to the stay stitching on both the facing and the dress. I basted the pressed edges, clipped them together with binder clips, and edge stitched the facing to the dress along the left armsyce - the side with the zipper. I was a bit annoyed that the dress armsyce length was longer than the facing. I stay stitched it and I didn't think it would stretch after the stay stitching. Maybe I didn't turn the facing under enough? I didn't really think much about it beyond my initial annoyance that I expected it to be perfect and it wasn't. By the time I pressed it, I was quite pleased with how nice and flat it came out and how even the edge stitching came out.
At this point, I was ready for a break. I was thinking, I'll finish it up tomorrow. Smiling to myself about being almost finished and ready to start another project, soon, I picked up the shaped wooden coat hanger I have been using to hang the dress on and got ready to set it aside until tomorrow. Well, the smile didn't last too long, as I noticed the dress seemed to hang funny on the hanger. I fiddled with it and tried to make it look pretty, of course dropping it off the hanger more than once while I was at it. I began to realize that the facing was "not right". I think it is rotated slightly in the armsyce. I need to take it apart and redo it. AAAaaaarrrrrrrghhh! I am too tired and discouraged to fix it today. I'll take it apart next time I sew. Sorry, I was in too crabby a mood to take and post pictures of it. I'll do that when I m not disgusted with myself....

On a happier note, Faye has nominated me for this award! I have never earned any distinction of any kind for anything sewing related. This is a lovely surprise! Thank you, Faye. You made my day! The requirements for accepting this award are as follows:
1. Place the logo within your blog or post.
2. Pass the award on to 12 bloggers.
3. Link the nominees within the post.
4. Let the nominees know they have received the award by commenting on their blogs.
5. Share the love and link to the person from whom you received the award.
So here are my nominees:
1.A Little Sewing On The Side
2.Two On Two Off
3.Sew Passionista
4.The Sewing Lawyer
5.Ten Thousand Hours Of Sewing
6.Ruthie K Sews
7.A Tailor Made It
8.Adventures In The Art Of Sewing
9.La Sewista
10.Beccabeckstuff
11.Carolyn's Sewing Room
12.Diary Of A Sewing Fanatic
I tweaked the shoulder slope and restitched the darts. Now the suit dress looks a little better. I am going to leave the sleeves off, but I have decided that I do want the collar, so I have to move the zipper. The zipper in the center back was basted in just for fitting purposes. I do not want to have a zipper in the center back of the collar. Now that I have the side seams as I want them, I will pull that zipper out and stitch the center back seam. I will put an invisible zipper in the left side seam. The seam is curved and the fabric has a slight stretch to it, so I need to stabilize the seam allowances before I sew in the zipper.
I also have to adjust my facing pattern since I have altered the shoulder seam. This pattern did not come with lining or facing pieces. I drafted my own. It is really easy to do. Since BURDA patterns have no seam allowances, it was especially easy. Basically, all I have to do to make lining and facing pieces is duplicate the front and back pieces, draw a line where I want the facing and lining to meet, and cut the pieces apart.
In this picture, I have drafted just a facing. I taped the pattern pieces together at the shoulder, then covered them with architectural tracing paper. I outlined the pattern pieces at the armsyce and neckline and drafted a lower edge to make a one piece facing. The facing will be cut out with the center back on the straight grain fold.
I still have not decided if I am going to make a lining for this dress. It will depend on how low the neckline is once the collar is attached. If I have to wear a blouse or something underneath, I will want a lining to keep the gabardine from sticking to the blouse fabric. If the collar is modest enough, I may see if I have enough fabric to make a shrug to wear over it. I always need sleeves. I am always cold.
I really like some of the BURDA Plus size offings the last couple of months. Take a look at these:
I may have to just go ahead and experiment with grading. I have never done it before, but BURDA must be reading my mind because they put instructions for down grading in the February 2010 issue. Then the March issue came along with these two styles that I love...
According to BURDA, all I have to do is draw an additional size line on the multi-sized pattern, keeping the same proportion between the new size line and the other sizes. Where there are match points, draw a line connecting all the match points. Measure the distance between two consecutive match points and add the new match point along the connecting line at that same distance. Sounds pretty simple. Has anyone done this? How easy is it?


Last fall, I participated in a fun sew along on line at artisanssquare.com. This was my first time sewing leather - actually it was faux leather. I have never sewn real leather.
Here is the pattern I used:
It is from BURDA Style magazine October 2009. It is a petite sized pattern. I cut size 21.
This project held a few firsts for me.
* sewing a material which will have permanent needle holes
* using fabric glue
* bagging a lining
* using lapped seams
* attaching a collar with a collar band
* pressing a fabric which will melt if touched with the iron
Some of these things posed bigger challenges than others for me.
sewing a material which will have permanent needle holes
This was especially difficult for me. I like to baste before I sew.
I also often take seams apart and resew them until I am satisfied.
Two things which helped were binder clips and IDT. IDT is a feature on
some Pfaff sewing machines, which feeds fabric from both the top and
bottom as you sew. It is like a built in walking foot. But by far,
the biggest help was using lapped seams. With lapped seams, I did not
have to sew reverse curves together in the princess seams. I simply
laid one piece over another and sewed. Well, it wasn't really that
simple. I marked all the seam lines as the pattern pieces were cut.
The pattern calls for lapped seams, which I really liked sewing.
See how the backing of the fabric is a white color? I was worried that
the white would show if I used lapped seams, so I made some test
samples and found it would not be a problem. I experimented with
thread color, stitch length and presser foot pressure, and the sample
to the right is what I set my machine up to produce. I used
contrasting thread for my samples to make it easy to judge the right
tension, and I really liked the the look of the olive color against the
red, so I went with it for the finished version. I did have some stray
white fibers peaking out of the seams in some places. I used tweezers
and sharp embroidery scissors to trim them all back.
Once I decided to use lapped seams, I had some work to do. The first
thing was to decide which seams would be lapped and which would not.
For example the sleeve back seam was sewn right sides together. Once I
decided which seams were lapped, I had to decide which was the underlap
side. Since Burda patterns do not have seam allowances, I had to add
seam allowances to all underlapped pieces as well as those wich would
be sewn right sides together. I did this by marking the pattern pieces
with dashed lines on all edges which I did NOT want seam allowances
added. When I cut the fabric, I used a rotary cutter with a gauge set
at 2cm (5/8in) to add seam allowances where I wanted them. I did not
add seam allowances to my pattern pieces. After the pattern pieces
were cut, I marked seam lines on the right side of all underlapped
seams by tracing along the edge of the pattern piece with a chalk
wheel. I did not mark the seam lines that would be sewn right sides
together. Now, I realize I could have cut all pieces with 2cm seam
allowances and trimmed them off the overlap side just before sewing,
but I think the extra legwork made my pattern pieces truer and the
sewing went quicker. The sewing was actually a joy. Having the seam
line marked on the underlapped side, I just lapped the pieces right
along that line and edge stitched them together. Additionally, I
drafted the lining from the pattern pieces, subtracting the facings,
and converting seams to darts. This was easily done since the pattern
pieces did not have seam allowances.
What did I learn?
I learned how to bag a lining. I had read how to do it a number of
times over the years, but I never did it by turning the whole assembly
through an opening in the sleeve.
What would I do differently?
I was challenged by the collar. Since I was not able to baste, I
have two rows of stitching holding the band to the jacket - One for the
inner band and then another for the outer band. Next time I sew this
type of collar on faux leather, I will use glue to hold the inner
collar in place. Then I will have one line of stitches showing where
the outer collar band is attached. Another thing I will do differently
involves the zipper seams. Again, I have double stitching in some
areas around the zippers which would be eliminated with the use of
glue. Normally, I baste and then remove those stitches, but this type
of fabric is incompatible with that method.
*Use fabric glue to baste where necessary
What I will definitely do again?
*use binder clips
*mark underlapped seam lines
*make samples to determine stitch length and presser foot pressure
*use low heat and a thick press cloth and press test samples
*draft a facing for the peplum
This leather jacket sew-along was a fun project for me. The
encouragement, advice, and praise from all of the women on artisan square was wonderful.
It was like having a bunch of friends in my sewing room with me as I went along.
Here are some pictures of my progress
The first thing I assembled was the full back.
Then the fronts with their zippers, the side seams and the shoulder seams...
...then the sleeves and the lining.


Here
I have it turned inside out to show the lining. I used a silk print I
found at the Vogue Fabrics booth at last year's Sewing and Quilting
Expo in Worcester. (I will not be able to machine wash it. I'll just
use a steamer on the inside and a damp cloth on the leather.)

If you look closely at the sleeve seam, you can see how big the opening was that I used to turn the lining to the inside.

All finished and ready to go out on the town!

But first I need to finish my coffee!
The
shoulders are a little too wide, but I am happy enough with it to
actually wear it. Overall - pretty decent fit for ZERO pattern
alterations!!
Now to make a skirt....